正月の里帰りはなぜ当たり前でなくなったのか｜ChatGPTの考察

A calm but subtly celebratory editorial illustration. Setting: a Japanese living room during the New Year period. The scene depicts a New Year day that is already well underway, spent at home. In the living room: – A television is turned on, showing an illustrated Japanese New Year holiday program (the TV image itself is also illustrated, not photographic or live-action) – The program appears as a stylized, hand-drawn broadcast scene with festive studio lighting and celebratory atmosphere, consistent with the overall illustration style – No readable text, no logos, no identifiable real people – A single person is settled comfortably in the room, clearly at ease in their space – The person’s posture suggests having been there for some time, not preparing to leave There are clear signs of staying: – Everyday items already in use (a cup, a blanket, a remote control) – No bags, no suitcases, no packed items – No outerwear, no shoes prepared for going out – No visual cues suggesting departure The person is not interacting with others: – No phone call – No visitors – No visible communication The living room feels ordinary and lived-in: – Sofa, low table, curtains, familiar household objects – Soft indoor lighting or gentle winter daylight – No traditional New Year decorations, no shrines, no ceremonial objects The celebratory tone should be subtle: – Present only through the illustrated TV program’s light and color – Not through action, decoration, or emotional expression Style: – Fully illustrated scene, including the television content – Clean, high-quality editorial illustration – Calm, balanced composition – Muted winter color palette with slight warmth – Realistic but understated illustration style – No text, no symbols, no logos The image should communicate: – A New Year spent at home – A settled choice not to return home – The absence of travel, anticipation, or transition This is not a moment before departure, but a quiet depiction of staying.